Bigtopia Barnumstormers

A Cosmic Underleague Team




The BIGTOPIA BARNUMSTORMERS represent various "sideshow" personalities. P.T. Barnum, the "Shakespeare of Advertising," understood that people were fascinated with human oddity and deformity.

The "sideshow" was essentially that institution which formalized the exhibition of "freaks." It appeared in the early 19th century, flourished, and then faded at the turn of the century. Entrepreneurs and showmen like Barnum made a lot of money by exhibiting these human oddities. Thanks to the "sideshow", the "freaks", in an environment that was essentially fearful and hostile to their existence, also found a way to survive economically













1999 Bigtopia Barnumstormers


Players


George Augur

Catcher
Mr. Augur was known as the "Cardiff Giant" and he stood nearly eight feet tall and tipped the scales at 360 pounds. Barnum added him to his show while touring Europe in 1844. Augur accompanied Barnum when he returned to the United States in 1903. On November 30, 1922, George Augur died of acute indigestion in New York City.



Jonathan Bass

Pitcher
A popular sideshow attraction was the "Ossified Man". He was said to have turned to stone before he died.



Eli Bowen

Leftfield
A legless man, he stood two feet and weighed 140 pounds. Bowen was both a husband and father of four. His good friend was Charles Tripp, the armless man. Together they would appear in various sideshows. Often they would amaze patrons by riding a bicycle built for two.



Jane Campbell

Outfield
The "Connecticut Countess", Ms. Campbell weighed 628 pounds.



James Coffey

Thirdbase
Known as the "Skeleton Dude" he was average in height, but weighed in at only 70 pounds.



Etta Lake

Pitcher
The "Rubber Faced Girl", Ms. Lake could be found touring in a variety of side shows at the turn of the century.



Francesco Lentini

Centerfield
Mr. Lentini had an extra leg. His oddity was a popular feature in the side shows and he toured with Barnum, Walter Main's circus, and with Buffalo Bill's show. Lentini was married and had three children, two boys and a girl.



Jean-Jacques Libbera

Firstbase
Born in Rome in 1884 the Libberas toured with Barnum in 1907. Jacques was a parasitic body living within Jean's body. Jacques had arms, legs, hands and feet. X-rays indicated a rudimentary head was embedded inside Jean's body. Jean was married and fathered four normal offspring.



Vantile Mack

Pitcher
Billed by Barnum as the "Giant Baby", Vantile weighed 257 pounds at seven years of age.



Ma Phoon

Shortstop
Hirsute individuals have always been a staple of the side show. Ma Phoon, like her son Moung Phouset, was enveloped from head to toe in thick hair.



Ivannow Orloff

Utility
The "Translucent Man". It was possible to observe the circulation of Count Orloff's blood in his veins and arteries.



Theodore Peteroff

Infield
Known variously as "Jo Jo the Dog-Faced Boy" and the "Human Sky Terrier". His appearance explains these monikers



Charles Stratton

Pitcher
In 1842, Barnum featured a perfectly formed midget, whom he billed as "General Tom Thumb". The son of a carpenter from Connecticut, "Tom Thumb" quickly became a sensation and earned a lot of money for himself and Barnum. On a European tour, "Tom" met Queen Victoria (three times) and otherwise enchanted European high society with his theatrics. In 1863 he married Lavina Warren, also a midget. A couple of years after the marriage, Barnum, ever the persistent huckster, arranged a publicity stunt claiming that Charles and Lavina had had a child. Pictures and news accounts were made announcing the event. But alas, it was just another Barnum hoax. There was no child. But Stratton became a wealthy man. He owned a stable, a yacht and a mansion when he died at age 45 in 1883.



Charles Tripp

Rightfield
An armless man, who became a passable painter by painting with his feet. Tripp was friends with Eli Bowen, a legless man. Together they would ride a bicycle built for two. Charles would peddle and Eli would steer. The two men were exhibited side by side for a number of years in a variety of side shows.



Billy Wells

Secondbase
Mr. Wells had a triple thick skull, earning him the name "block head". He would stand, unfazed, while brick blocks on his head were pounded with a sledgehammer.



Thomas Wilkinson

Pitcher
Mr. Wilkinson sported a five foot beard.



Lucia Zarate

Pitcher
One of the world's smallest of the small. Fully grown she weighed five pounds and stood twenty inches small.

Staff



Emmet Kelly

Field Manager
A tramp clown, Emmett Kelly was one of the most famous of American clowns. In 1957, he ran away from the circus to play baseball for the Brooklyn Dodgers.



Jenny Lind

Coach
Swedish-born soprano signed by Barnum to give American concerts. Barnum paid her $1,000 for each of a 150 performances. At the conclusion of her American tour in 1852, gross concert receipts were nearly $700,000.



Lou Jacobs

General Manager
A "white face" clown and originator of the midget automobile act.



Phineas T. Barnum

Owner
The "Shakespeare of Advertising.". Shortly before he died in 1891 Barnum wrote: I am prouder of my title 'the children's friend' than if I were to be called 'the king of the world'. That he thought he might be called 'king of the world' gives us some insight into this uniquely American figure. Known as the "father of the American circus" and described, after his death, by the Boston Herald as "the greatest showman of all time", Phineas Taylor Barnum was one-of-a-kind. At various times in his life he was a grocer, journalist, marketing wizard, city mayor, college benefactor, huckster, temperance lecturer, and circus owner. He was also married twice and the father of three daughters. His name adorns the popular animal crackers baked by the National Biscuit Company (NABISCO). Throughout his hometown of Bridgeport, Connecticut Barnum-related names abound on streets, parks and buildings.

Barnum played cosmic baseball as a firstbaseman for the Paradise Pisces between 1989 and 1994. He compiled a career batting average of .276 with 68 homeruns. The Barnumstormers have been created, in part, to honor the great American Barnum.





Won Loss Record
Year	Won	Lost
1997	91	71
1998	81	81

1998 B'Stormer Statistics

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Other Rosters
1998 B'Stormers Roster

1997 B'Stormers Roster



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Related External Links
History Buff's Reference Library -- Circus History Articles

The Freak Show

The Circus- History--The 18th Century - 10/9/98

Giant's Camp

The Blue Monkey Sideshow

Geek Magician Show

Sideshow Art- Posters (Commercial)

Big Top Circus Sideshow

P.T. Barnum

Voruta. The Vilnius' Circus History.(Lithuanian)

San Francisco School of Circus Arts












Starters
Mack

Pitcher
Augur

Catcher
Libbera

Firstbase
Wells

Secondbase
Coffey

Thirdbase
Ma Phoon

Shortstop
Bowen

Leftfield
Lentini

Centerfield
Tripp

Rightfield
Kelly

Manager
Jacobs

G.M.
Barnum

Owner

Home Park
Bigtopia Dome
Capacity: 17,118 Seats
Cosmic Player Plates

The following player plates are scheduled for 1999:

  • P. T. Barnum
Freaks
The Barnumstormers consist of acts that toured with various circuses and appeared in "dime museums" in the United States during the 19th and early 20th Century. The players represent biological sports, who display a variety of physical deformations. These so-called "freaks" were frequently relegated to supporting themselves by appearing in circus exhibitions.

John and Alice Durant in their 1957 book, Pictorial History of the American Circus have written "the public display of human abnormality in its various forms, however grotesque, has always fascinated rather than repelled the majority of people."

The success of the circus sideshow attests to this observation. People were willing to pay to view human oddities. What is the basis of this fascination?

Phineas Taylor Barnum understood the mechanism. The so-called "Shakespeare of advertising" knew that people would pay to see the unusual. In the summer of 1842 he put on display in his new museum the "Feejee Mermaid". This exhibition consisted of a dead monkey's head and torso in a fish's body. Barnum learned that people would pay a lot of money to see it. Real or scam, it didn't seem to matter. On the strength of these types of curiosities, Barnum's museum made a profit of nearly $3,000 in its first year.

Marvelous Human Curiosities. Freaks of Nature. Monstrosities. These were the features that attracted the masses to Barnum's American Museum in New York and to his circus sideshows. An entertainer, an exploiter, humbug or humanitarian? What are we to make of Mr. Barnum? And what are we to make of ourselves? When we view our strangely formed fellow human beings ...is it compassion or something else we feel?



Hop-Frog or The Eight Chained Ourang-Outangs

by Edgar Allan Poe (1850)

I NEVER knew anyone so keenly alive to a joke as the king was. He seemed to live only for joking. To tell a good story of the joke kind, and to tell it well, was the surest road to his favor. Thus it happened that his seven ministers were all noted for their accomplishments as jokers. They all took after the king, too, in being large, corpulent, oily men, as well as inimitable jokers. Whether people grow fat by joking, or whether there is something in fat itself which predisposes to a joke, I have never been quite able to determine; but certain it is that a lean joker is a rara avis in terris.

About the refinements, or, as he called them, the 'ghost' of wit, the king troubled himself very little. He had an especial admiration for breadth in a jest, and would often put up with length, for the sake of it. Over-niceties wearied him. He would have preferred Rabelais' 'Gargantua' to the 'Zadig' of Voltaire: and, upon the whole, practical jokes suited his taste far better than verbal ones. At the date of my narrative, professing jesters had not altogether gone out of fashion at court. Several of the great continental 'powers' still retain their 'fools,' who wore motley, with caps and bells, and who were expected to be always ready with sharp witticisms, at a moment's notice, in consideration of the crumbs that fell from the royal table.

Our king, as a matter of course, retained his 'fool.' The fact is, he required something in the way of folly- if only to counterbalance the heavy wisdom of the seven wise men who were his ministers- not to mention himself. His fool, or professional jester, was not only a fool, however. His value was trebled in the eyes of the king, by the fact of his being also a dwarf and a cripple.

Dwarfs were as common at court, in those days, as fools; and many monarchs would have found it difficult to get through their days (days are rather longer at court than elsewhere) without both a jester to laugh with, and a dwarf to laugh at.

But, as I have already observed, your jesters, in ninety-nine cases out of a hundred, are fat, round, and unwieldy- so that it was no small source of self-gratulation with our king that, in Hop-Frog (this was the fool's name), he possessed a triplicate treasure in one person. I believe the name 'Hop-Frog' was not that given to the dwarf by his sponsors at baptism, but it was conferred upon him, by general consent of the several ministers, on account of his inability to walk as other men do. In fact, Hop-Frog could only get along by a sort of interjectional gait- something between a leap and a wriggle- a movement that afforded illimitable amusement, and of course consolation, to the king, for (notwithstanding the protuberance of his stomach and a constitutional swelling of the head) the king, by his whole court, was accounted a capital figure.

But although Hop-Frog, through the distortion of his legs, could move only with great pain and difficulty along a road or floor, the prodigious muscular power which nature seemed to have bestowed upon his arms, by way of compensation for deficiency in the lower limbs, enabled him to perform many feats of wonderful dexterity, where trees or ropes were in question, or any thing else to climb. At such exercises he certainly much more resembled a squirrel, or a small monkey, than a frog.

I am not able to say, with precision, from what country Hop-Frog originally came. It was from some barbarous region, however, that no person ever heard of- a vast distance from the court of our king. Hop-Frog, and a young girl very little less dwarfish than himself (although of exquisite proportions, and a marvellous dancer), had been forcibly carried off from their respective homes in adjoining provinces, and sent as presents to the king, by one of his ever-victorious generals.

Under these circumstances, it is not to be wondered at that a close intimacy arose between the two little captives. Indeed, they soon became sworn friends. Hop-Frog, who, although he made a great deal of sport, was by no means popular, had it not in his power to render Trippetta many services; but she, on account of her grace and exquisite beauty (although a dwarf), was universally admired and petted; so she possessed much influence; and never failed to use it, whenever she could, for the benefit of Hop-Frog.

On some grand state occasion- I forgot what- the king determined to have a masquerade, and whenever a masquerade or any thing of that kind, occurred at our court, then the talents, both of Hop-Frog and Trippetta were sure to be called into play. Hop-Frog, in especial, was so inventive in the way of getting up pageants, suggesting novel characters, and arranging costumes, for masked balls, that nothing could be done, it seems, without his assistance. The night appointed for the fete had arrived. A gorgeous hall had been fitted up, under Trippetta's eye, with every kind of device which could possibly give eclat to a masquerade. The whole court was in a fever of expectation. As for costumes and characters, it might well be supposed that everybody had come to a decision on such points. Many had made up their minds (as to what roles they should assume) a week, or even a month, in advance; and, in fact, there was not a particle of indecision anywhere- except in the case of the king and his seven minsters. Why they hesitated I never could tell, unless they did it by way of a joke. More probably, they found it difficult, on account of being so fat, to make up their minds. At all events, time flew; and, as a last resort they sent for Trippetta and Hop-Frog.

When the two little friends obeyed the summons of the king they found him sitting at his wine with the seven members of his cabinet council; but the monarch appeared to be in a very ill humor. He knew that Hop-Frog was not fond of wine, for it excited the poor cripple almost to madness; and madness is no comfortable feeling. But the king loved his practical jokes, and took pleasure in forcing Hop-Frog to drink and (as the king called it) 'to be merry.' "Come here, Hop-Frog," said he, as the jester and his friend entered the room; "swallow this bumper to the health of your absent friends, [here Hop-Frog sighed,] and then let us have the benefit of your invention. We want characters- characters, man- something novel- out of the way. We are wearied with this everlasting sameness. Come, drink! the wine will brighten your wits."

Hop-Frog endeavored, as usual, to get up a jest in reply to these advances from the king; but the effort was too much. It happened to be the poor dwarf's birthday, and the command to drink to his 'absent friends' forced the tears to his eyes. Many large, bitter drops fell into the goblet as he took it, humbly, from the hand of the tyrant.

"Ah! ha! ha!" roared the latter, as the dwarf reluctantly drained the beaker.- "See what a glass of good wine can do! Why, your eyes are shining already!"

Poor fellow! his large eyes gleamed, rather than shone; for the effect of wine on his excitable brain was not more powerful than instantaneous. He placed the goblet nervously on the table, and looked round upon the company with a half- insane stare. They all seemed highly amused at the success of the king's 'joke.'

"And now to business," said the prime minister, a very fat man.

"Yes," said the King; "Come lend us your assistance. Characters, my fine fellow; we stand in need of characters- all of us- ha! ha! ha!" and as this was seriously meant for a joke, his laugh was chorused by the seven.

Hop-Frog also laughed although feebly and somewhat vacantly. "Come, come," said the king, impatiently, "have you nothing to suggest?"

"I am endeavoring to think of something novel," replied the dwarf, abstractedly, for he was quite bewildered by the wine.

"Endeavoring!" cried the tyrant, fiercely; "what do you mean by that? Ah, I perceive. You are Sulky, and want more wine. Here, drink this!" and he poured out another goblet full and offered it to the cripple, who merely gazed at it, gasping for breath.

"Drink, I say!" shouted the monster, "or by the fiends-"

The dwarf hesitated. The king grew purple with rage. The courtiers smirked.

Trippetta, pale as a corpse, advanced to the monarch's seat, and, falling on her knees before him, implored him to spare her friend.

The tyrant regarded her, for some moments, in evident wonder at her audacity. He seemed quite at a loss what to do or say- how most becomingly to express his indignation. At last, without uttering a syllable, he pushed her violently from him, and threw the contents of the brimming goblet in her face. The poor girl got up the best she could, and, not daring even to sigh, resumed her position at the foot of the table.

There was a dead silence for about half a minute, during which the falling of a leaf, or of a feather, might have been heard. It was interrupted by a low, but harsh and protracted grating sound which seemed to come at once from every corner of the room.

"What- what- what are you making that noise for?" demanded the king, turning furiously to the dwarf.

The latter seemed to have recovered, in great measure, from his intoxication, and looking fixedly but quietly into the tyrant's face, merely ejaculated:

"I- I? How could it have been me?"

"The sound appeared to come from without," observed one of the courtiers.

"I fancy it was the parrot at the window, whetting his bill upon his cage-wires."

"True," replied the monarch, as if much relieved by the suggestion; "but, on the honor of a knight, I could have sworn that it was the gritting of this vagabond's teeth."

Hereupon the dwarf laughed (the king was too confirmed a joker to object to any one's laughing), and displayed a set of large, powerful, and very repulsive teeth. Moreover, he avowed his perfect willingness to swallow as much wine as desired. The monarch was pacified; and having drained another bumper with no very perceptible ill effect, Hop-Frog entered at once, and with spirit, into the plans for the masquerade.

"I cannot tell what was the association of idea," observed he, very tranquilly, and as if he had never tasted wine in his life, "but just after your majesty, had struck the girl and thrown the wine in her face- just after your majesty had done this, and while the parrot was making that odd noise outside the window, there came into my mind a capital diversion- one of my own country frolics- often enacted among us, at our masquerades: but here it will be new altogether. Unfortunately, however, it requires a company of eight persons and-"

"Here we are!" cried the king, laughing at his acute discovery of the coincidence; "eight to a fraction- I and my seven ministers. Come! what is the diversion?"

"We call it," replied the cripple, "the Eight Chained Ourang-Outangs, and it really is excellent sport if well enacted."

"We will enact it," remarked the king, drawing himself up, and lowering his eyelids.

"The beauty of the game," continued Hop-Frog, "lies in the fright it occasions among the women."

"Capital!" roared in chorus the monarch and his ministry.

"I will equip you as ourang-outangs," proceeded the dwarf; "leave all that to me. The resemblance shall be so striking, that the company of masqueraders will take you for real beasts- and of course, they will be as much terrified as astonished."

"Oh, this is exquisite!" exclaimed the king. "Hop-Frog! I will make a man of you."

"The chains are for the purpose of increasing the confusion by their jangling.

You are supposed to have escaped, en masse, from your keepers. Your majesty cannot conceive the effect produced, at a masquerade, by eight chained ourang-outangs, imagined to be real ones by most of the company; and rushing in with savage cries, among the crowd of delicately and gorgeously habited men and women. The contrast is inimitable!"

"It must be," said the king: and the council arose hurriedly (as it was growing late), to put in execution the scheme of Hop-Frog.

His mode of equipping the party as ourang-outangs was very simple, but effective enough for his purposes. The animals in question had, at the epoch of my story, very rarely been seen in any part of the civilized world; and as the imitations made by the dwarf were sufficiently beast-like and more than sufficiently hideous, their truthfulness to nature was thus thought to be secured.

The king and his ministers were first encased in tight-fitting stockinet shirts and drawers. They were then saturated with tar. At this stage of the process, some one of the party suggested feathers; but the suggestion was at once overruled by the dwarf, who soon convinced the eight, by ocular demonstration, that the hair of such a brute as the ourang-outang was much more efficiently represented by flu. A thick coating of the latter was accordingly plastered upon the coating of tar. A long chain was now procured. First, it was passed about the waist of the king, and tied, then about another of the party, and also tied; then about all successively, in the same manner. When this chaining arrangement was complete, and the party stood as far apart from each other as possible, they formed a circle; and to make all things appear natural, Hop-Frog passed the residue of the chain in two diameters, at right angles, across the circle, after the fashion adopted, at the present day, by those who capture Chimpanzees, or other large apes, in Borneo.

The grand saloon in which the masquerade was to take place, was a circular room, very lofty, and receiving the light of the sun only through a single window at top. At night (the season for which the apartment was especially designed) it was illuminated principally by a large chandelier, depending by a chain from the centre of the sky-light, and lowered, or elevated, by means of a counter-balance as usual; but (in order not to look unsightly) this latter passed outside the cupola and over the roof.

The arrangements of the room had been left to Trippetta's superintendence; but, in some particulars, it seems, she had been guided by the calmer judgment of her friend the dwarf. At his suggestion it was that, on this occasion, the chandelier was removed. Its waxen drippings (which, in weather so warm, it was quite impossible to prevent) would have been seriously detrimental to the rich dresses of the guests, who, on account of the crowded state of the saloon, could not all be expected to keep from out its centre; that is to say, from under the chandelier.

Additional sconces were set in various parts of the hall, out of the war, and a flambeau, emitting sweet odor, was placed in the right hand of each of the Caryatides that stood against the wall- some fifty or sixty altogether.

The eight ourang-outangs, taking Hop-Frog's advice, waited patiently until midnight (when the room was thoroughly filled with masqueraders) before making their appearance. No sooner had the clock ceased striking, however, than they rushed, or rather rolled in, all together- for the impediments of their chains caused most of the party to fall, and all to stumble as they entered.

The excitement among the masqueraders was prodigious, and filled the heart of the king with glee. As had been anticipated, there were not a few of the guests who supposed the ferocious-looking creatures to be beasts of some kind in reality, if not precisely ourang-outangs. Many of the women swooned with affright; and had not the king taken the precaution to exclude all weapons from the saloon, his party might soon have expiated their frolic in their blood. As it was, a general rush was made for the doors; but the king had ordered them to be locked immediately upon his entrance; and, at the dwarf's suggestion, the keys had been deposited with him.

While the tumult was at its height, and each masquerader attentive only to his own safety (for, in fact, there was much real danger from the pressure of the excited crowd), the chain by which the chandelier ordinarily hung, and which had been drawn up on its removal, might have been seen very gradually to descend, until its hooked extremity came within three feet of the floor.

Soon after this, the king and his seven friends having reeled about the hall in all directions, found themselves, at length, in its centre, and, of course, in immediate contact with the chain. While they were thus situated, the dwarf, who had followed noiselessly at their heels, inciting them to keep up the commotion, took hold of their own chain at the intersection of the two portions which crossed the circle diametrically and at right angles. Here, with the rapidity of thought, he inserted the hook from which the chandelier had been wont to depend; and, in an instant, by some unseen agency, the chandelier-chain was drawn so far upward as to take the hook out of reach, and, as an inevitable consequence, to drag the ourang-outangs together in close connection, and face to face. The masqueraders, by this time, had recovered, in some measure, from their alarm; and, beginning to regard the whole matter as a well-contrived pleasantry, set up a loud shout of laughter at the predicament of the apes.

"Leave them to me!" now screamed Hop-Frog, his shrill voice making itself easily heard through all the din. "Leave them to me. I fancy I know them. If I can only get a good look at them, I can soon tell who they are."

Here, scrambling over the heads of the crowd, he managed to get to the wall; when, seizing a flambeau from one of the Caryatides, he returned, as he went, to the centre of the room-leaping, with the agility of a monkey, upon the kings head, and thence clambered a few feet up the chain; holding down the torch to examine the group of ourang-outangs, and still screaming: "I shall soon find out who they are!"

And now, while the whole assembly (the apes included) were convulsed with laughter, the jester suddenly uttered a shrill whistle; when the chain flew violently up for about thirty feet- dragging with it the dismayed and struggling ourang-outangs, and leaving them suspended in mid-air between the sky-light and the floor. Hop-Frog, clinging to the chain as it rose, still maintained his relative position in respect to the eight maskers, and still (as if nothing were the matter) continued to thrust his torch down toward them, as though endeavoring to discover who they were.

So thoroughly astonished was the whole company at this ascent, that a dead silence, of about a minute's duration, ensued. It was broken by just such a low, harsh, grating sound, as had before attracted the attention of the king and his councillors when the former threw the wine in the face of Trippetta. But, on the present occasion, there could be no question as to whence the sound issued. It came from the fang- like teeth of the dwarf, who ground them and gnashed them as he foamed at the mouth, and glared, with an expression of maniacal rage, into the upturned countenances of the king and his seven companions.

"Ah, ha!" said at length the infuriated jester. "Ah, ha! I begin to see who these people are now!" Here, pretending to scrutinize the king more closely, he held the flambeau to the flaxen coat which enveloped him, and which instantly burst into a sheet of vivid flame. In less than half a minute the whole eight ourang-outangs were blazing fiercely, amid the shrieks of the multitude who gazed at them from below, horror-stricken, and without the power to render them the slightest assistance.

At length the flames, suddenly increasing in virulence, forced the jester to climb higher up the chain, to be out of their reach; and, as he made this movement, the crowd again sank, for a brief instant, into silence. The dwarf seized his opportunity, and once more spoke:

"I now see distinctly." he said, "what manner of people these maskers are.

They are a great king and his seven privy-councillors,- a king who does not scruple to strike a defenceless girl and his seven councillors who abet him in the outrage. As for myself, I am simply Hop-Frog, the jester- and this is my last jest."

Owing to the high combustibility of both the flax and the tar to which it adhered, the dwarf had scarcely made an end of his brief speech before the work of vengeance was complete. The eight corpses swung in their chains, a fetid, blackened, hideous, and indistinguishable mass. The cripple hurled his torch at them, clambered leisurely to the ceiling, and disappeared through the sky-light.

It is supposed that Trippetta, stationed on the roof of the saloon, had been the accomplice of her friend in his fiery revenge, and that, together, they effected their escape to their own country: for neither was seen again.



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1999 Bigtopia Barnumstormers- Official Team Roster
URL: http://www.cosmicbaseball.com/99bsr.html
Published: November 13, 1998
Updated: July 8, 2003
Copyright © 1998-1999 by the Cosmic Baseball Association
email: editor@cosmicbaseball.com

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